METAL CHURCH Live Review, 2019

Supports: Hazmat + TemtrisCrowbar, Leichhardt, SydneyFriday, 30th August, 2019 There is nothing quite like an old school heavy metal show to bring out the devoted metallers of yesteryear in sleeveless battle jackets littered with patches, eager to update their wardrobe with a new version of t-shirt for a legendary band. It also provides an opportunity

Graham Bonnet Tour Interview, 2019

English rock singer Graham Bonnet has sung alongside some of the most celebrated names in virtuoso guitar. His career as an established solo artist commenced in the late sixties and included decent success in the late seventies which also had a sizeable profile on the rise in Australia. Poached by the ubiquitous guitar force of

LOUDNESS Live Review, 2019

Supports: Metreya and Temtris Crowbar, Leichhardt, SydneyFriday, 10th of May, 2019. For a long time, Japan’s Loudness was firmly in the category of one of those huge international bands that wasn’t ever going to make it to our shores. Well, in what has been a bit of a change of late, some bands in that

AVANTASIA (Sascha Paeth) Tour Interview, 2019

When metal opera project Avantasia gained traction as a formidable live act, it was largely through the driving force of both Edguy vocalist Tobias Sammet and German music industry workhorse, Sascha Paeth. The guitarist, producer and mixer put together a touring band which then allowed a plethora of guest musicians to contribute when their main band duties allowed.

WITCHERY (Patrick Jensen) Tour Interview, 2019

Melodic death metal might seem like strange sub-genre of metal but when an extreme style of music is already pushing boundaries, there is a freedom to delve into other areas to add interest and dynamics. In the mid-nineties, this style or genre emerged, most notably from Gothenburg in Sweden and with bands such as The

Dweezil Zappa Live Review, 2018

Enmore Theatre, SydneyFriday, 23rd of February 2018 Frank Zappa was a musical visionary and an artistic inspiration to many of the world’s top musicians. He was also an acerbic satirist with a scathing wit that deconstructed the absurdities of the musical industry. He achieved that primarily with his prolific musical projects whilst being fully aware