UNLEASH THE ARCHERS – Abyss – Album Review

www.unleashthearchers.comLabel: Napalm Records Canadian power metal band, Unleash the Archers, have released their best album yet. Following on the narrative of their previous album from 2017, Apex, comes album number five, titled Abyss, and as the continuing story of a weaponised mercenary in space journey unfolds, striking female mezzo-soprano lead singer Brittney Hayes [stage name

PRIMAL FEAR (Mat Sinner and Tom Naumann) Interview

German power metal veterans, Primal Fear, continue to create consistently good heavy metal albums. Their latest studio release, Metal Commando is an apt title which could be seen as a mission statement. The songs within represent a growing musical maturity with concise choruses, melodic harmonies, fist pumping tracks, rousing power ballads plus an atmospheric, sprawling closing album track titled Infinity, which clocks in at over thirteen minutes.

BURNING WITCHES (Lala Frischknecht) Interview, 2020

Swiss and Dutch metal band Burning Witches started out weathering the usual barbs of gimmickry that gets levelled at all-girl bands. However, they’ve persevered and whilst their imagery is undoubtedly calculated, the songs and ability are present in both recorded form and in their growing live performance reputation. Some line-up changes generated inevitable delays but now with a solid crew intact, their third album titled Dance with the Devil, is receiving more positive attention.

Neal Morse Tour Interview, 2020

Progressive Rock musician Neal Morse is truly prolific. His discography is not only vast and varied but he has worked with some incredible musicians in a variety of styles to produce and create an array of projects. This includes groups such as Transatlantic which still continues to this day, when schedules permit. Having left his

Michael Sweet: Solo Acoustic Tour Interview, 2019

American metal band Stryper, have endured both setbacks and barbs from image obsessed critics over the years to succeed where others of their era have faltered. Their perseverance in a music industry climate that seemingly makes it difficult for veteran artists to retain an active career, let alone those with a lyrical focus on evangelising

FLESHGOD APOCALYPSE – (Francesco Paoli) Interview

Combining traditional classical musical forms such as orchestral styles, symphonic offshoots, and chamber music plus choral arrangements with the uncompromising ferocity of death metal may sound implausible. However, for Italian band Fleshgod Apocalypse, who seemingly identify loosely as symphonic death metal, that challenge has been met, explored and pushed into the realms of musical extremities with a fair degree of success.